Daisuke Kinoshita’s lungs were on fire and his
calves screamed as he ran to “The House on the Corner.” The
House on the Corner, he thought. Is that really the nickname that stuck after
all these years, Sugimoto? He’d
already passed several houses on several street corners, each nearly identical
to his destination. But what separated
this house from the rest was Daisuke’s knowledge of the location of its spare
key. He knew he must take his mind off
of his burning muscles and aching joints, but besides his pounding feet and
bouncing backpack, the town was loud with screaming, moaning, chewing and
sucking sounds of the dead. Instead, he
thought about the house.
Daisuke met Asahi Sugimoto when they became
classmates at Hachiman Nishi Junior High School. The Kinoshita residence was nearly a mile to
the northeast along the Nagara River, while Sugimoto lived ¼-mile west from the
school. The boys walked home in opposite
directions, only speaking in the short time they had walking south between the
front entrance of the school and the first intersection they reached. There, Daisuke turned left and continued
around the back of the school and up north along the river, while Asahi turned
right at the intersection and wound around uphill towards his street. The first time Asahi invited Daisuke to come
to his house was a brisk spring Sunday morning.
At school the previous day, he’d told Daisuke “Just head the way I do
after class. Go past the shrine on the
right, then take your first right and it’s the house on the corner.” Asahi had not, however, mentioned whether the
“first right” meant the small alley where the road bent or the first proper
street, which was several hundred feet further down the road – nor did he
clarify which corner. In the end, Daisuke ended up knocking on
three doors before he found the right house.
“What took you so long?”
“’The house on the corner?’” Daisuke asked
sarcastically, mimicking his friend’s words.
Now, four years later, the boys were preparing for
their final year at high school. Asahi’s
family was out of town for a summer vacation.
Daisuke silently begged their forgiveness as he dove into the bushes,
retrieved the fake rock and the key inside it, unlocked and opened the front
door then slammed and locked it behind him.
He turned his back to the newly-locked door and fell back against it,
dropping his backpack off his shoulders as he did. He sank to a sitting position in the dark,
silent house, closing his eyes. It took
him a long time to catch his breath.
Of course
this had to happen on Mukae-bon.
Try as he might, Daisuke couldn’t make sense of
what had just happened. Now that he was
safe – or safer, at least – he knew he had to get a better idea of what was
going on in the town. He also knew he
wasn’t going to turn on all the lights and the TV to do so. He decided that with Sugimoto’s house so dark,
he could peek through the window blinds at the scene outside without attracting
any attention. Even still, he was as
quiet as could be, parting the blinds at a snail’s pace to see outside.
The street was nearly deserted. Most of the houses still had lanterns lit on
their front porches, meaning one of three things. First, maybe the residents hadn’t come home
yet from the festival but they would soon; second, they were inside safely and
they’d locked their doors without bothering to snuff out the lanterns first; or
third, they were…No. Daisuke didn’t want
to consider that possibility yet. He noted
that since so many lanterns were still lit, they slightly improved the
visibility of the neighborhood under the night sky, which was a happy accident
in his favor. As soon as he thought
this, however, he felt a pang of guilt when he remembered what kind of fate
might have befallen Sugimoto’s neighbors.
As his eyes scanned the scene outside, he finally
got a glimpse at one of the people – if they could still be called people –
roaming around the neighborhood. She was
a young woman he didn’t recognize, of average height and a slim build. Her skin was pale and clammy, her eyes glazed
over, and she shambled along the road.
She was dressed neatly, but not too formally, in a peach-colored
cardigan over a black floral-print dress.
Her hair was pulled back in a ponytail.
Dried blood had become caked after running below her mouth and onto the
top of her dress, a telltale sign of recent eating. She looked listless, in need of something
perhaps, but ultimately braindead.
Daisuke lowered his gaze, sad for the lost life still roaming the
streets of their riverside town. She
really is a dead person walking around town, he thought. No
proper funeral or cremation. His
thoughts turned towards the young woman.
I’m sorry this happened to you.
The smack of a wet hand on the window just inches
from his face ripped Daisuke from his melancholia. Out of fear, he cursed loudly. “Kuso!” he heard himself say. He leaped backwards instinctively even before
realizing what he was looking at. It was
the hand of a grown man, slathered in fresh blood, pressed against the
window. His arm showed that he wore a
brown tweed suit, though most of his body was out of frame. Daisuke ran to the door to help the injured
man into the house but his hand froze when it reached the doorknob.
What if he’s…one
of them? he thought.
What if he’s
not, idiot? He could’ve been hurt at the
festival and needs your help before they come for him! They could be right behind him!
If they’re
right behind him, should you really open the door and risk them getting in
Sugimoto’s house?
The man hit the window again.
Are you
prepared to let an innocent man die because you didn’t want to risk it? That’s a terrible and selfish thought.
Is it? Or is it just being careful?
Before he could talk himself out of it, Daisuke
growled at the situation then unlocked the door and flung it open. He took one step outside the threshold and
turned to the man on his right, bowing his head slightly in respect and
embarrassment at his hesitation.
“Excuse me, sir…”
The man turned, slowly, and Daisuke froze in
horror. The left half of the man’s face,
which had been out of sight from the window, was almost completely
missing. He raised his arms towards
Daisuke and took a step towards him. But
that was only half of what shocked Daisuke.
No way, Daisuke
thought. There’s just no way.
Tanaka-sensei?
He told his body to run back inside and lock the
door but it wasn’t listening. He was
frozen stiff from seeing his homeroom teacher, Sora Tanaka, in such a
state. With a second step, Tanaka’s
features came into view more clearly in the moonlight. He opened his mouth in a sickly moan and his
tongue lolled out and hung down the exposed side of his mouth. For just a moment, Daisuke wanted to drop to
his knees and give up. It was all too
horrible – a nightmare come to life. A
third step brought the teacher ever closer to the petrified boy. He was almost within arm’s reach. Two pairs of running footsteps approached
Daisuke and Mr. Tanaka. In a daze,
Daisuke looked to their source and blinked.
“Move,
idiot!”
Two figures approached rapidly. For a moment, Daisuke thought the shouting
was directed at Mr. Tanaka, who was still walking towards him from next to the
house, so he turned back and looked at his mangled teacher. But if
he keeps moving, he’s going to hurt me, Daisuke thought. He’s
going to hurt me. He’s…he’s going to
hurt me! He blinked his eyes tight
several times and did his best to snap out of his trance. Before he could regain his senses completely
and get back in the house, the running footsteps reached him and a pair of
women’s hands pulled him backwards away from the faceless man lurching towards
him. In the same moment, a man in a
black and red flannel shirt stepped in front of Daisuke, his back to the boy,
and swung an object – a crowbar, Daisuke realized – at the homeroom teacher. The impact of crowbar on flesh made a sound
like someone dropping a large, dripping handful of raw ground beef on the
cement. There was a cracking sound, too,
like a coffee mug being knocked onto the floor and broken. He couldn’t place it, but it got his
attention.
Before he knew it, Daisuke and the two strangers
were back in the Sugimoto residence. The
man with the crowbar slammed the door shut behind them and locked it; the woman
sat on the nearby couch and clutched at her belly, which appeared distended.
“What the Hell were you doing?!” the man demanded. “Is this your house? Do you live here?”
“Honey…” the woman said.
Daisuke focused on the man, who appeared to be in
his early 30s. He had some facial hair
adorning his chin and cheeks but not enough to call a beard and moustache. His face was rounded without being fat, a
feature enhanced by an unkempt bowl cut.
“Is there anyone else here besides the three of us? Have you checked all the other rooms?”
In his shock, Daisuke found all these questions to
be of little consequence.
“You…You just killed Mr. Tanaka.” The words sounded dry and papery coming out
of his mouth. He’d seen Tanaka before
the man struck him – and he’d seen the young woman in the floral-print dress roaming
the street before that – but he couldn’t convince himself this stranger hadn’t
just taken his teacher’s life with the crushing blow to his head.
“…What?” the man asked.
“Mr. Tanaka,” Daisuke repeated. The events of the last several minutes began
to catch up with him. “He was my
homeroom teacher. And you…Oh, God; he’s
dead!” It finally dawned on Daisuke that
the cracking sound outside was Tanaka’s skull caving in from the crowbar, and
without thinking, Daisuke was in the man’s face, pounding his fists against his
chest. “You killed him! You killed him!”
The man easily defused Daisuke’s
intimidations. “Hey,” the man said in a
strong but reassuring voice. “Hey,
son. It’s alright. It’s alright now.” He gripped Daisuke’s shoulders with his
large, firm hands. Slowly, Daisuke’s
attacks gave way to an exhausted leaning against the man. “I’m sorry about your teacher,” the man
said. “But I swear to you, he was
already –“ He caught himself before
finishing his sentence. He wanted the
boy to know it couldn’t be helped, but he feared sounding callous or uncaring
of the man he’d just put down outside the house. Obviously the boy knew him from school;
seeing a teacher bludgeoned like that would be traumatic. He tried a safer tactic. “What’s your name? I’m Saito Nakamura; this is my wife, Aoi,” he
said, gesturing at the woman.
Daisuke looked back and forth between them several
times. “Kinoshita,” he said. “My name…is Daisuke Kinoshita.” Daisuke relaxed a bit and Saito let go of his
shoulders.
“Okay,” Saito said. “Okay.
Saito, Aoi, Daisuke. Are you
hurt?”
Daisuke shook his head.
“Did one of them…bite you?” Saito stole a quick glance at Aoi, who gave
him a chastising expression.
“No!” Daisuke exclaimed. “I mean…no.”
“That’s good,” Saito said. “That’s good.
Forgive me, but do you know what’s going on? Or why?”
“I have no idea,” Daisuke said, gazing at the
floor. “One minute I was at the
festival, watching the dancers, and then…and then…”
“So were we,” Saito said. “It got pretty bad out there. We were making a run for the hills to the
north, since there are probably fewer of them there, but Aoi saw you and we
couldn’t just leave you to…I mean, we couldn’t just leave you.”
Daisuke met Saito’s eyes and realized the truth in
his words. “Thank you,” he said.
“So is this your house?”
“No, it’s Asahi-kun’s – rather, my friend Asahi
Sugimoto and his family live here.
They’re away on vacation.”
“Mm,” Saito said.
“It’s good for them to be away from this mess right now.”
Daisuke managed to nod his head softly. “What’s wrong with them?”
Saito sighed.
“I’m afraid I’ll sound crazy if I say it.”
“We can’t deny what we saw,” Aoi said from behind
Daisuke. It was the first time he’d
heard her speak. “They’re…dead.”
“It isn’t possible,” Daisuke said. Aoi continued.
“Saito and I grew up here in Gujō. He got a good job in Nagano a few years ago
and we moved away, but we thought we’d come back for the Obon festival one last
time before…” She looked down at her
stomach. “Everything happened so
quickly. We tried to stay hidden from
view, quietly moving along alleyways, hoping the river would help mask any
sound we made. Then, as we were passing
by a house near a bridge…”
“You don’t have to explain,” Saito said.
“No, it’s okay,” she replied. “I think the boy should hear this. It may help him understand what they’re like.
“One of them
came around the corner, groaning and stumbling towards a street vendor, an
older man it had seen. The older man was
cooking and selling udon – the noodle soup?
When he saw it coming, he threw a pot of scalding broth at it and it
didn’t even react. Then he took his
chef’s knife and stabbed it, right where the heart…” She pressed one hand against her chest and
Daisuke noticed her breathing had quickened.
“Its skin was burning – bubbling – it had a knife in its heart. It still attacked him, unfazed. Nobody could survive that. They’d have to already be –“
“Enough,” Saito said. “You have to stay calm, Aoi.”
Daisuke found himself compelled to bring the
conversation to a head.
“So they’re…”
Saito nodded.
“In the west, they’re called zonbis.
A zonbi is a dead body somehow given consciousness again, but only
minimal motor skills or brain function.
The only part of their brain that still works is that which knows it
needs to eat – and to move so it can eat.”
Daisuke nodded impatiently. “And it doesn’t differentiate between animals
and humans when it comes to food. It’s
just like –“
He stopped short and the movie title flashed in
his head. ナイト・オブ・ザ・リビングデッ Of course, he thought. Naito
Obu Za Ribingudetsu. He and Sugimoto
had stayed up late one night watching the old black and white zonbi movie from
the 1960s. At the time it had seemed so
ridiculous, but now…
“Daisuke?
Are you alright?”
In an instant, Daisuke ran through the first half
of the film in his head, his eyes darting around as he remembered. He turned to Saito and spoke with great
urgency.
“We have to check the rest of the house to be sure
we’re alone – just like you said earlier,” Daisuke said. “Then we need hammers, nails and any strong
wood we can pry loose with that crowbar.
They won’t get in here. I just
need something for defense first.”
Asahi’s father, Akira Sugimoto, kept a set of golf
clubs in the coat closet by the stairs to the second floor. Daisuke headed straight for it, crossing the
entryway and opening the door. Saito was
startled by his movement.
“Hey, what are you –“
No, Daisuke
thought, staring into the closet. How can this be?
Daisuke double-checked to be sure, since the house
was still only illuminated by moonlight, but there was no mistaking it. The clubs were gone.
Of
course. They’re on summer vacation. He closed his eyes and a long, low sigh
escaped him. “Golf clubs,” he heard
himself say quietly.
“That’s unfortunate,” Saito said calmly. He’d put the pieces together. He rubbed his lower face with one hand. “I have an idea, but it’s not going to be
pretty if there’s any trouble in the house.”
Saito and Daisuke crept slowly into the kitchen,
stepping as gingerly as they could. The
only light they dared risk was the flashlight app on Daisuke’s cell phone. It provided a soft glow just in front of them
but provided little visibility. Saito
walked in front, holding his crowbar like a baseball bat; Daisuke was
immediately behind him, his hand outstretched to hold the phone over Saito’s
shoulder. They breathed through their
noses and only spoke in whispers – and that much only when absolutely
necessary.
“The drawer with the larger tools is on the right,
on the far side of the oven,” Daisuke said.
Saito nodded in response and led them there. Daisuke began to pull open the drawer but it
stopped. For just a moment, he
panicked. Is something grabbing it?!
Then he realized it must be jammed from the
inside. He cursed again.
Daisuke reached his left hand into the stuck drawer,
but there was so little room, the wooden interior pushed and scraped at the
backs of his fingers. He clenched his
teeth at the discomfort. Slowly, gently,
he tried to feel around for the source of the jam.
“What’s going on?” Saito asked.
“It’s jammed,” Daisuke said. “Wait just a moment.”
He felt up just behind the cabinet that held the
drawer; almost immediately he found the trouble. The same item he’d hoped to find in the
drawer was stopping him from retrieving it, and it was propped up by a can
opener and a whisk, both of which refused to budge. He knew the best option would be to push the
drawer shut just a little more to ease the tension, then he could pull it down
with ease. However, the opening was
already so slim he couldn’t push it shut any further without crushing his hand
in the process. He did his best to pull
it down, but the harder he pulled, the angrier he got.
Come on,
come on, he thought. Saito heard him
struggle.
“I don’t like this…”
“Just a little more!”
Daisuke pulled as hard as he could – too
hard. The drawer flew out of the cabinet
and several kitchen tools crashed and clanged to the marble floor, followed by
the drawer itself. Daisuke held up his
prize – the meat tenderizer – and from outside they heard a nearby zonbi make
an aggravated growl. Daisuke shone the
flashlight on Saito. Saito was furious.
“Idiot,” Saito scowled. He approached the boy and pointed his thick
finger in his face. “If your stupidity
costs Aoi her life…our child’s
life…I’ll never forgive you!”
Daisuke’s face went red. He looked away in shame and made a formal
apology, though Saito interrupted him.
“Enough,” he said. “Draw the curtains
shut in this front area and turn on the lights. I was hoping to keep the house quiet and dark until we checked all the
rooms together but it can’t be helped. At
least one of them knows we’re here now.
More could be coming.”
Daisuke followed Saito’s orders as they
spoke. “I’m sorry –“
“It’s fine,” Saito said. “But this changes things. We have to split up.” He crossed to a door. “Is this the pantry door?”
Daisuke nodded.
Saito began prying the door off its hinges with
his crowbar. “Hammers? Nails?”
“In the garage.”
Of course, Saito
thought. “Where?”
“Around the back of the stairs to the right,”
Daisuke said, finally turning on the light.
The door came off and Saito dropped it at
Daisuke’s feet. “Let me borrow your
phone.”
Aoi protested.
“Saito…”
“It’s fine,” he said, taking the phone from
Daisuke. “I’ll be right back.”
He started towards the garage, stopped and turned
to Daisuke.
“Protect her,” Saito said. “Protect them both.”
“With my life,” Daisuke replied. But Saito was already gone.
Daisuke kept a firm grip on his meat tenderizer,
secretly hoping he wouldn’t have to use it.
He stood in front of Aoi like a bodyguard, feeling sheepish and ashamed
he’d drawn attention to them. He tried
thinking of what to say to her.
“Kinoshita,” she said. Her sudden voice made him jump. She hid a smile behind her hand. “I’m sorry.
“It’s alright – what happened earlier.” His chin sank into his chest and he shook his
head lightly. “It is. Saito makes plans every day. When they don’t work, he becomes easily
frustrated. He’s that kind of
person. But he’s a good person, too. He cares a great deal for us.” Daisuke didn’t need to look at Aoi to know
her hand was on her belly again. It made
him remember how much was at stake. He
stiffened considerably.
“I-I will protect you!” he stammered.
The poor
boy, Aoi thought. He must hate himself right now.
“It’s alright; I promise,” she said. “I’d feel safer with the doors and windows
secured before you two investigate
the house. Maybe you did us a favor.”
Daisuke grunted.
He didn’t entirely agree, and he knew she was just trying to make him
feel better, but Aoi seemed to be a kind, honest person. Perhaps she meant what she said.
“Thank you,” he said.
No sooner did the words escape his lips than Saito
came walking briskly back into the front area with two hammers, a box of nails
and a pair of real flashlights. Saito
walked past the pair and dumped his handfuls of supplies on the kotatsu in the
living room, whose blanket had been removed for the summer.
“Let’s get to work.”
Daisuke’s train of thought moved rapidly as he
gathered what he needed and began nailing the pantry door over the double-wide
front windows. He thought about
Mukae-bon, the first day of the annual five-day Obon festival in which Japanese
welcomed their ancestors’ souls back to the world of the living. There were the traditional dancers, the
electronic lanterns lit in front of the homes and the tens of thousands of
tourists who had traveled into town to witness its unique all-night dancing. The food vendors were hard at work. The sizzle and savory smell of teriyaki beef
and chicken reached Daisuke’s senses from one side of the street; other
traditional foods followed. Everywhere,
he heard the rivers flow.
Gujō
was surrounded by three rivers: Yoshida, Nagara and Kodara, which formed a moat
around the town and Gujō
Hachiman Castle. It was sometimes called
“Water City” and its clean freshwater supply was what the town was known
for. This made it a point of local pride. In modern times, the town was also known for
its food replica workshops – the largest was Sample Village Iwasaki – but
perhaps since Daisuke had spent his life walking past the workshops while out
with his family, he didn’t see what was so special about them. Even Sample Kobo, which invited visitors
inside so they could watch the artists build the replicas, seemed unexciting.
If we’re lucky, he thought, the rivers could help defend the city from zonbis approaching from
other towns, just like they defended it from invaders centuries ago. Is that wishful thinking? Maybe.
But maybe wishful thinking is what we need right now.
Saito
had already removed the closet door from its hinges and nailed it to another
window. He approached the wooden dining
room table, leaving the kotatsu in the living room intact.
“Hey,”
he said.
“Mm?”
“What’s
up with this table?”
It
was a dark, heavy wooden table. It was
long and high like any dining room table, but it looked almost like a picnic
table without benches – it featured a top made of several wide planks secured
to a sturdy frame underneath. The legs
were straight and four-sided. Daisuke
peeked through a gap in the double-wide window that the door hadn’t covered;
there were several zonbis but only two seemed interested in Sugimoto’s house –
and they were far from the front door, which still needed reinforcing.
“Kingwood,”
Daisuke said. “It stands out, doesn’t
it?”
“It
looks like it’s from Pier 1 Imports.”
Daisuke
chuckled. “You’re not far off. Asahi-kun has an uncle who likes to give funny
gifts. This was his wedding present to
Asahi’s parents.”
Saito
tested its weight by lifting it.
“Hoo! It’s heavy.”
Daisuke
walked over to him. “Like I said,
kingwood. You should’ve seen Asahi’s
father’s face when I asked him how they moved it in here.”
Saito
gestured to Daisuke and the two of them turned the table over as gently as they
could. It was hard work. “Which family lives here again?”
“My
friend from school.”
“But
what did you say their last name was?”
“Sugimoto,”
Aoi said. Daisuke looked at her and
smiled.
“Mm,”
Saito said.
He
wedged his crowbar into the crevice between the underside of the overturned
table and one of its legs. “I’m sorry,
Sugimoto-san.” He forced the leg off and
held it in his hand and looked at it.
“Or maybe I should say ‘You’re welcome?’” Daisuke smiled again. Then he took the leg and walked it to the
front door with his hammer and nails. He
propped it high up against the front door with his left hand, holding a nail
between his first two fingers just outside the doorframe and pulled his right
hand with the hammer backwards to get enough speed and force to drive the nail
in.
At
that moment, there was a rapid knock on the door. Saito, Aoi and Daisuke all looked at one
another in complete surprise.
“Asahi-kun? Are you in there? Asahi-kun!”
It was a teenage girl’s voice.
“You
expecting anyone?” Saito asked, his voice sarcastic and confused.
“Asahi-kun!” Her voice was muffled by the door. She continued to knock.
“Asahi-kun! Asahi-kun!”
“The
House on the Corner” is the first chapter of a proposed horror novel by jonny
Lupsha. Set in Gifu Prefecture, Japan,
it tells the story of a small band of survivors at the outset of the zombie
apocalypse. Running low on food and
supplies, surrounded by the undead, the group decides to dig a tunnel under
their refuge to a neighboring house…and another…and another. Will they ever dig far enough to find a house
with few enough zombies that they can escape on foot or in a vehicle? Maybe, but not before encountering
half-crazed neighbors whose houses they unwittingly invade, tunnel cave-ins,
infighting and houses they rig to explode for the purpose of cutting down on
the horde outdoors. Tell us if you want
to see this book, Dead
Passage, come to fruition by visiting
facebook.com/ACarrierofFire today!
No comments:
Post a Comment